![]() “I really think this is a groundbreaking event for electronic music. Our goal and focus has been to develop this technology for artists to create and perform music in a new way. Dolby started working on the Dolby Atmos music project about 2 years ago, and in that time we’ve made sure the experience is as good as we can make it. The Box is going to come alive with music coming from all directions – including from overhead. “We’ve been working closely with a number of Hospital’s artists to make absolutely amazing mixes with Dolby Atmos. We shared our vision of music being performed in Dolby Atmos and decided to collaborate on the first show of the Dolby Atmos residency to unveil this to the world. “This night came about after the entertainment manager at Ministry of Sound invited Tony and Josh from Hospital Records to come into the studio for a Dolby Atmos demo. “Fans can expect an entirely new way of experiencing the club and it will sound better than anything they’ve ever heard before – guaranteed” Deep insider knowledge follows from London Elektricity, Reso, TC, Keeno, Metrik, S.P.Y and the man spearheading the project, Gabriel Cory… Gabriel Cory – Product Manager, Dolby ![]() Read on to find out more about the night, including the science behind the system and how the artists have been preparing for it. Keeno, Metrik and S.P.Y aren’t on the bill, but have also spent time in the Dolby studios adding three-dimensional features to some of their tracks for a special airing.īut how exactly will the system provide such a unique listening experience? Is it a case of applying a trickle of WD-40 to each of the club’s existing speakers? Not quite… Instead, it’s largely thanks to the whopping addition of sixty speakers to Ministry of Sound’s already impressive setup, all meticulously positioned to create a fully immersive, atmospheric 3D soundscape. TC, Reso and London Elektricity will be playing full Dolby Atmos sets on the night and have all spent a considerable amount of time tucked away in Dolby’s studios, tweaking their tracks to make them sound as awesome as possible in Dolby Atmos. Of course, a sufficiently weighty line-up and historic venue is required to mark the dawn of such an advanced system… Hospital Records at Ministry of Sound doesn’t sound too bad, does it? The D&B powerhouse will take over the London venue on January 23 with a billing fitting of such an event. It’s essentially the audio equivalent of watching a film in 3D and will provide us lucky sods with a completely new clubbing experience. That’s why it’s thoroughly exciting that the sound boffs at Dolby’s laboratories have decided to revolutionise the sound-system as we currently know it with the introduction of Dolby Atmos. ![]() The line-up, venue and whether or not we can get home without having to rough it for a few hours waiting for a train home all come into the equation.īut there’s one thing that arguably surpasses everything else the sound-system.Ī decent sound-system has the technical spec to make you hear every single detail of the tunes being played, the sheer clout to block out your mate’s incoherent ramblings and, ultimately, the ability to turn a good night into a great night. There’s a multitude of things we have to consider when choosing which night is most deserving of our money. TC: “A heavy sound-system is a must! If there is no bass, half the music is missing in drum & bass and the night can be effectively ruined as a result” Drum & bass is high energy club music that is designed to be heard on a powerful club sound-system so I see it as probably the most important part of an event” Metrik: “A sound-system can make or break a night. Drum & bass is such a production-focused genre and therefore requires a very tight system” Keeno: “An amazing sound-system has the potential to engage people in a totally immersive way just as much as a terrible one has the ability to completely kill a vibe.
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